Date Showing Showing On 24, 26, 27 November
Time Showing Monday 6:00pm, Wednesday 4:00pm and 6:30pm, Thursday 6:00pm

THE PHONECIAN SCHEME

M 1hrs 41mins
drama | 2025, USA, Germany | English
Overview

Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.

Warnings

Injury detail

Director
Wes Anderson
Original Review
Mike Tyrkus, CinemaNerdz
Extracted By
Tom Butler
Featuring
Benicio Del Toro, Mia Threapleton, Michael Cera

Watch The Trailer

The Phoenician Scheme - Official Trailer | (Universal Pictures) - HD

Storyline (warning: spoilers)

Some may view The Phoenician Scheme as yet another narrative maze from Wes Anderson, most will likely appreciate and cherish the humour and decidedly off-beat storytelling that the film presents as it careens towards staking its claim as one of the best films of the year.
When he suspects a plot against him, one of the richest men in Europe, Zsa-zsa Korda (Benicio del Toro), decides to make his only daughter – Liesl (Mia Threapleton) – the heir to his estate. Then, as Liesl (who also happens to be a nun) and Korda begin traveling to shepherd a new business deal, they become the target of assassins and terrorists, as well as fellow less-than-savory businessmen. What follows is a tale of corporate espionage and violence that only a filmmaker like Wes Anderson can spin. Working from a script penned by himself and Roman Coppola, Anderson crafts his usual tapestry of the absurd and only slightly off-centre, to tell a story that resonates unusually well in the often surreal world we find ourselves living in today.
As Liesl and Korda bond during their adventures abroad and the details of their family history and business are revealed, the tapestry of the film becomes increasingly elaborate. Throughout, the usual stable of actors frequently utilized in Anderson’s films surface to deliver solid and often hilarious depictions of their characters. Among those appearing, Liesl’s tutor, Bjorn Lund (Michael Cera) is afforded probably the most screentime to develop into a full-fledged character as he accompanies the father and daughter during a good portion of their trip. Other actors come in, make their mark, and then depart having moved the plot along in some way or stolen scenes in another – such as Tom Hanks, Bryan Cranston, Benedict Cumberbatch, Jeffrey Wright, or even Bill Murray – but none stay longer than the main actors.
While The Phoenician Scheme may be one of the more labyrinthian narratives offered by Wes Anderson in some time, it rarely feels that way as there is a simplicity to the story that allows it to be both relatable and esoteric at the same time. It is a work of art by a true artist.

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